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Tag Archives: Daken

IZU PAINTING

Around the Meiwa and Anei eras (1764 to 1780) of Japanese history, there was a man named Izu Kamitono. A master of many martial disciplines, he was legendary, among locals who knew him, in the secret art of ‘shurikenjutsu’. Translated literally as ‘palm weapon art’, shurikenjutsu was also sometimes referred to in those days as ‘sen-ken’. With his long gray hair pulled back, old man Izu was said to always carry four long sharpened needles hidden in his coiffure, two on each side of his head. As a aging warrior, who had survived many conflicts that required him to straddle the line between life and death, the honed edge of continuous heightened awareness and razor sharp reflexes had not dulled even slightly. Although he had found peace within himself in his years of late, he knew the world had not waned in its turbulence and episodes of utter violence. Once when visiting Shiba Palace in Edo, the residence of the Lord of his province, Izu was suddenly asked to hit four hooves of a horse standing under a cherry tree in a painting that adorned the Lord’s cedar door. Drawing the needle-like shuriken from his hair with lightning dexterity, he hit all four marks twice, without a miss. His lightning fast skill drew audible gasps from the aristocratic onlookers who had gathered to watch, as well as from his normally subdued Lord. Up until the day the Shiba Palace was destroyed by a fire over a century later in 1893, the painting and the needle marks from Izu’s test of skill remained on the palace wall and were still readily visible for visitor’s of the palace to see. As to Izu’s method of shuriken throwing, it is said that he left no disciple and that his gifted skill and method passed quietly with him.

✧ BRANDON ALVAREZ

 

kacem-makimono

Gyokko-ryû Kosshijutsu is a very important school. You have Gyokko-ryû Koppōjutsu and Gyokko-ryû Kosshijutsu. This is actually one part of the scroll. It reads “koppô of Gyokko-ryû Koppôjutsu. There is also Gyokko-ryû Daken (striking with the fists; 打拳) and Gyokko-ryû Torite (grabbing with the hands; 捕手). It was all dependent on the master of the time, the area, the expertise, and what he liked. Some people are sometimes better in one area then another, just as some are only right handed, some are only left handed. Some are ambidexterous. Some have very good balance. And, the some of Gyokko-ryû could give it the name he wanted, the name of the discipline that he was focused on; could be Koppôjutsu, Kosshijutsu, Daken, etc. It was dependent on the process of his practice. Some had a specialty with iai, some with spear, with the , etc. So, there is Koppôjutsu and Kosshijutsu. Some have said that there are no weapons in this tradition. This is not true. This tradition was born from using the spear, longsword (tachi; 太刀), iai (居合), shuriken, the kusari (chain; 鎖), and a way of using the kodachi (small sword; 小太刀). It is a very deep and very old tradition. In the first level, for instance, there are 12 techniques, however, it shouldn’t be looked at like this. There were 28 masters, so for each technique here were many variations. You can even mix the techniques together and find more variations. Toda sensei used to say to Takamatsu sensei, “Shôden wa okuden nari” (初伝わ奥伝なり – the first transmission is the highest transmission). So you need to practice the first level like it is the highest level, the deepest level. The highest level came from the first level; the highest technique came from the basic. You push yourself to rise in quality not in quantity. It’s not about being good or being strong, it is to do it correctly.”

✧ DR. KACEM ZOUGHARI